AD-202 is made and published by Audio Damage, Inc. AppBrain is an independent app data site and isn't affiliated with Audio Damage, Inc. The app name, icon, screenshots and description belong to Audio Damage, Inc. and are shown as published on the App Store.
AppBrain's verdict
New- Best rank
- #40
- Top Paid, Canada
- Rating on App Store
- 4.71
- 14 ratings
- Last updated
- September 23, 2026
AD-202 came out 79 days ago. It doesn't have enough ratings yet to judge what users think. Its best ranking is #40 in Top Paid, Music in Canada.
Rankings
App Store top charts- Highest rank
- #40
- Chart
- Top Paid
- Music
- Country
- Canada
App Store Rankings for AD-202
Top rankings
| Rank | Country | Category | List |
|---|---|---|---|
| 40 | Canada | Music | Top Paid |
| 48 | Switzerland | Music | Top Paid |
| 56 | Sweden | Music | Top Paid |
Ranking history in Canada
Competitors
Similar apps and more from Audio Damage, Inc.More from Audio Damage, Inc.
Releases
Updates seen on the App Store- Version
- 1.0.5
- Launched
- August 2026
No changelog data
User feedback
Ratings and reviews on the App StoreComments on AD-202 for iOS
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Technology
Found in the app by AppBrain- Price
- $6.99
- App size
- 74.1 MB
- Content rating
- Everyone
Technologies used by AD-202
About the app and developer
About AD-202
AD-202 is a music app developed by Audio Damage, Inc.
User Ratings
AD-202 is rated 4.71 out of 5 stars. The rating is based on 14 ratings.
App Information
AD-202 costs $6.99. The app size is 74.07 MB. The latest version available is 1.0.5. The last update was on September 23, 2026.
Technical Requirements
The app has a content rating of Everyone. The app has been available on the App Store since August 2026.
Developer information for Audio Damage, Inc.
Address:
Store listing
By Audio Damage, Inc., from the App StoreDescription by Audio Damage, Inc. Written by the developer, not by AppBrain. Click to read.
The voice is the one you know: a single fat oscillator with sawtooth and pulse (manual, LFO, or envelope PWM), a three-mode sub oscillator, and a noise source, mixed and driven into a classic four-pole lowpass filter. One snappy ADSR, switchable env/gate VCA, and an LFO with triangle, square, stepped random, and noise shapes, complete with onset delay, tempo sync, and retrigger. Portamento with the proper on/auto/off modes, and gate, gate+trig, and LFO trigger modes, exactly like the hardware.
And the a sequencer: eight patterns of up to 64 steps, drawn right on the panel, with accent, slide, and octave per step, follow actions and repeats, swing, and tools to randomize in a key and scale, mutate, copy, and rotate. Play a pattern from a held key, transpose it from the keyboard, lock it while you browse presets, and run it from its own clock, the host transport, or an Ableton Link session in the standalone. Sequences save with your presets.
• Eight-voice polyphony, or the original mono behavior with the flip of a switch
• MPE support with per-note pitch bend and pressure, four aftertouch destinations (VCO mod, VCF mod, filter freq, LFO rate), and adjustable pressure smoothing
• MTS-ESP microtonal tuning, retuned continuously while notes sound
• SPREAD for stereo voice panning, and AGE, which drifts each voice like forty-year-old components
• A full drive section: pre-filter saturation, filter drive, post-VCA distortion, and a tilt EQ
• Velocity to filter and amp
• A chicklet keyboard with latch and octave shift, playable right on the panel
• Full preset manager with favorites and a factory bank
• Five faceplate colors, including one for console cowboys
• AUv3 and standalone, with an interface that fills whatever window your host hands it
AD-202 works everywhere iOS makes noise: AUM, apeMatrix, Logic Pro, GarageBand, Cubasis, and any other AUv3 host, plus a standalone app with its own audio and MIDI settings, Ableton Link, and background audio.
No subscriptions. No accounts. No nonsense. Buy it once, own it forever.